Download Wallace Stevens: The Poems of Our Climate
Download Wallace Stevens: The Poems of Our Climate
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Wallace Stevens: The Poems of Our Climate
Download Wallace Stevens: The Poems of Our Climate
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Product details
Paperback: 416 pages
Publisher: Cornell University Press; 1 edition (May 31, 1980)
Language: English
ISBN-10: 9780801491856
ISBN-13: 978-0801491856
ASIN: 0801491851
Product Dimensions:
6 x 1.1 x 9.3 inches
Shipping Weight: 1.4 pounds (View shipping rates and policies)
Average Customer Review:
3.5 out of 5 stars
9 customer reviews
Amazon Best Sellers Rank:
#558,619 in Books (See Top 100 in Books)
This book is a masterpiece which is not to say it's perfect and not to say that it's for everyone. When you read the negative criticisms below please keep a few things in mind. First--and foremost---this is a book is an academic exercise written by one of America's foremost scholars in American and English literature. This book is written for people who have a VAST knowledge of literature, especially English and American Romanticism and in particular POETIC Romanticism. The less you of those things the less you will get out of this book. THIS BOOK IS NOT INTENDED AS A READER'S GUIDE FOR THE CASUAL READER. This books is primarily for literature scholars. That doesn't make it snobbish or boring in and of itself. Imagine a book on a new theory of engine building (to take a raw example)--if you don't know engines as well as a mechanic does the book will not be helpful to you. That doesn't make it a dumb or boring book. So realize what you're getting into before you buy and avoid needless mental bloodshed. Secondly, I just love the accusations of narcissism. Sheesh. ALL literary criticism is a reflection of the author's ideas about literature! Of COURSE it is. THAT'S THE WHOLE POINT. TO GIVE YOU THE AUTHOR'S VIEW OF THIS PIECE OF LITERATURE IN THE CONTEXT OF PAST LITERATURE AS THE AUTHOR SEES IT!!!. If you want to dismiss all criticism as narcissism, go right ahead. That view will save you a lot of reading time. Again, this is a great book. Just know what kind of book it is and decide if that's what you'd like to tackle.
I check 3 stars because, forced to check something, there's no 2.5, and thought I should tilt upward, considering what poet we're talking about. Very learned book on Stevens, too learned I think, anyway so much so a layman like me should probably keep his mouth shut, but the pleasure and melancholy in reading Stevens' poems, how obsessed one can get reading them, the daunting level from which he speaks, his language and measure like a god's, and the difficulty is rewarded many times over, for one learns a little more, feels a little more, inches up to each poem a little more, at each rereading, which explains at least in part why we're expending the energy in writing and reading books about them, for his poems, especially in this case Sunday Morning, are the products of a truly great, epochal poet, that belongs in the canon more assuredly than most.But Mr. Bloom, you speak as though you're having late coffee and oranges in a sunny chair, while I in darkness cry out, please help me, how can I keep reading your book when I read something like this on the very poem in question: "... I think it not accidental that Sunday Morning, with all its Wordsworthian, Keatsian, and even repressedly Whitmanian touches, should be Stevens' most Tennysonian poem..." You think it not "accidental"? Help! I think I'm drowning! Anxiety of influence? My God, someone throw me a life line! Do I have expend 2 lifetimes devoted to careful study on all these other poets before I can even make a hairline crack in the seal that holds back Stevens? Perhaps I do. Farewell then, I'm going under, there's nothing more for me here in this life, someone notify my children, for I thought I could read Stevens, but now I wonder if I can even walk down the street!
As a lifelong reader of Stevens, I believe that the two most illumating studies have been Helen Vendler's On Extended Wings and this volume by Harold Bloom. His approach is certainly unconventional in that he starts his thesis with Emerson and categories of figurative writing. He adds to the mix some Wordsworth, Whitman , and Nietzsche and attempts to place Stevens in a lineage of thought and expression. Examining the small and large works on equal footing in chronological order makes a compelling case for our imagining Stevens as human, "all too human," perhaps. Although I would not agree with a number of his readings, I'm grateful to read and re-read this book.
Those of us who have bathed in the dazzling light of Bloom's exegeses of the Shakespeare plays will find on display in this volume a more obscure side of the great critic. The reader encounters here an earlier edition of Bloom, one who now expresses himself in sometimes tortuous prose and unwieldy language, now bludgeons rather than dissects. This Bloom has not yet gained his sure footing in the sparse, pithy prose of his more recent works which reveal him to be a master interpreter. Still, there is much here to admire; for Bloom shows us Steven's pedigree with marvelous clarity. Beginning with Emerson and proceeding to Whitman, Dickinson, Harte and others, Bloom illuminates Steven's debt to the rich provender on which he drew. (My own acquaintance with Emerson had languished since high school , but I soon found myself reading Emerson's superb essay on Shakespeare and Whitman's Leaves of Grass with a new eye.) Bloom shows how 'the American religion', an atheistic blending of respect for individual rights, power, will, and fate found their firm expression in Emerson and travelled onward to inform the poetry which followed, especially Stevens'. Bloom shows us how the tropes of fate, death, mother, and the sea wind through the years as each poet in turn struggles to express a uniquely American sense of meaning. True enough, Bloom fiddles too much with the technical bits, but he gives us a place from which to view Stevens' work so that we can now grasp why, as Bloom says, he was the greatest American poet of the 20th century- and perhaps of any century. Such favorites as The Auroras of Autumn, The Man with the Blue Guitar, The Emperor of Ice Cream and a score of others shine for us in a new light. Best of all, the reader carries with him the secret knowledge that despite these early slips,Bloom's brilliance will only grow.
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